MAN LAW - by Cameron Howell


          There are many unspoken laws by which men live. For example, when using the restroom, a man does not use the urinal next to another man if there are other urinals available. In this vein (and by “this vein,” I mean the restroom vein), I am still pretty shaken up by the actions of a certain male who will remain unnamed (he will remain unnamed mostly because I don’t actually know his name—and also to protect him from certain ridicule at the hands of any man who reads this). Also, remember that he wears a pair of ridiculously beat up New Balance sneakers (just remember, okay?).
            I often begin stories with a bit of background information, and people always tell me “Cameron, no more details—just get to the point!” And to those people, I say, “what is a story without backstory?” And they always tell me that it’s either a) easier to listen to, b) easier to pay attention to, or c) funnier. Well, first of all, if you rush a story, yes, it will be easier to listen to, but will it be as entertaining? Second of all, how the hell are you supposed to pay attention to a story with no background information? You don’t know the characters involved, you don’t understand the situation, and there is no way for you to fully grasp the emotions of the storyteller. Lastly, I’d like to just point out that the funniest parts of stories are usually in the minute details. Honestly, think about every great comedian and every great stand-up bit. Now if you remove the background information from said stand-up bits, are those stand-up bits still funny? (unless, of course, your definition of a “great comedian” includes Dane Cook—In which case you probably won’t like this story, and I probably wouldn’t like you if I met you, so I really don’t want you taking enjoyment from my story anyways).
            Alright, now in the way of background information, I have “known” this guy for about two months (and I use quotations around “known” because I don’t know his name, don’t know where he lives, and don’t know his age). I first met this kid on the bus (which in Dallas is called DART—Dallas Area Rapid Transit). The first time I met him, he was brandishing a small (but still scary-looking) pocket-knife on the metal poles that are standard in buses everywhere. I was, understandably, frightened. The second time I met this kid was also on the bus, only this time he poured contact fluid onto the sleeves of his sweatshirt (while I, and at least six other passengers, watched curiously), and proceeded to remove a BIC lighter from the confines of his pocket, and light his sweatshirt on fire. The fire only lasted for about ten seconds (a burst of flame, leaving only a large black mark on the sweatshirt), but still freaked me out a little bit. My first thoughts were that he was either: a) homeless, b) schizophrenic, or c) both.
            The last time I saw this unnamed man (until yesterday), he was getting off at the bus stop that I get off at to get to school. I thought nothing of it (as long as you don’t count my obvious fear of him) until I noticed him following me up the hill that I walk to school. At this point, I thought my life was in danger and turned around swiftly (and by “swiftly” I mean awkwardly and dramatically) and said (or yelled, rather) “why are you following me?!?!” He looked up from his shoes and said “I’m not following you, I’m going to school.” It was at this point that I realized he had a very prominent speech impediment, and that he went to my school.
            I completely forgot about all of this until yesterday. I was minding my own business, sitting in class, when I got a sudden urge to use the restroom. I asked my teacher for a pass, exited the classroom, and entered the men’s restroom. Now, every time I enter a public restroom, I casually check to see if anyone else is in there (and by “casually” I mean awkwardly and dramatically). I don’t know why I do it, but I have a feeling I’m not the only one. Anyways, I checked to see if anyone was in there and noticed that one of the stalls was locked. I entered the second stall, pulled down my pants, and sat. As I glanced at the floor, I noticed a pair of crappy New Balance sneakers. It was at this point that I heard the boy from the bus with the prominent speech impediment who wore crappy New Balance sneakers and went to my school say something: “Hey, are you that kid from the bus?” (he must have recognized my signature penny loafers).
            Now, I don’t know how it is for other people, but for me, the restroom is not a place to engage in conversation—It is a place to rid yourself of waste. At first, I made a conscious effort not to respond to the strange boy. Until he repeated the question, that is. At this point, I was severely disturbed and had no desire to remain in the bathroom, but, scared for my life, I responded with a sheepish “yes.”
“Where’d you get your shoes?” he continued.
            Clark’s shoes,” I said. I needed to get out of there. I hadn’t even begun to rid myself of the waste that you rid yourself of in a restroom and here I was having a conversation with a guy who sets his arm on fire and brandishes pocket-knives creepily on the bus. I pulled up my pants in a hurry, flushed the toilet for absolutely, no reason and declared “alright, I’m done,” hurrying out of the stall.
            As I exited the stall, the boy responded to my declaration: “yeah, me too.” He left his stall without flushing (leading me to believe he was not even ridding himself of waste) and followed me to the sinks. Now, there are two sinks in the restroom, and two respective soap dispensers. So imagine my surprise when I ran my hands under the water of the sink on the left side, and was joined by a pair of cold, clammy, black hands beneath mine, being rinsed by all the dirty water from my own hands. I really needed to get out of there now. I stepped back, offering the sink to him, but he stepped back too, leaving us both standing awkwardly in the restroom with the sink running. “You go first,” I said. “No, you,” he replied. So I placed my hands back beneath the faucet, only to be joined by his hands once again! I fled.
            Now, you may be asking, “what is the point of this story, Cameron?” And I will tell you. First, always check carefully for other people when using a public restroom. Second, if you see a pair of crappy New Balance sneakers, leave. Third, if someone in the stall next to you attempts to start a conversation, tell them you have herpes (or genital warts, either works).

NEW STEPHEN'S HERO EP: A Simple Twist Of Faith



Finished recording the EP yesterday with David Eiler.
Sometimes we find ourselves at the end of our proverbial “roads” and there is nowhere left to go. I found myself in this situation just over 7 months ago, and in my darkness, I found light. This album is a collection of songs written in the months following my admission into an East Texas rehabilitation center where I found God through my battles with addiction. I wrote these songs for you, and I hope you take something from them.

Prayer Request

So my Narcotics Anonymous sponsor passed away this past Sunday from a heroin overdose... I guess that was kind of blunt, but I'm not sure how else to put it. Anyways, I'm not sure how I'm taking it yet, so if you could just pray for me and for his kids and everyone around him that's hurting right now, that would be amazing.

Love and Thanks,
Cameron

What I'm Listening To: Gram Parsons



            Growing up with my paternal grandfather, I was exposed to a great deal of country music. My grandfather, Cecil Howell, was raised out in West Texas on a farm, and, growing up in the military, was what you might call a country music obsessive. From Ray Price to Ernest Tubb, my grandfather has quite the collection. So, as a child I would, when staying with him, search through and scavenge his records for hours on end, looking for the coolest cover or the funniest song titles or the oldest record I could find. It was not until I was about 14, though, that I stumbled upon Gram Parsons’ 1974 sophomore album, Grievous Angel. The artwork did not stand out to me, nor the year in which it was released. But I had heard his name before, though I couldn’t remember where. Looking back, it was probably during my obsession with The Byrds, or through a Rolling Stones biography I had probably read (I was obsessed with classic rock during my pre-teen years and would read anything I could get my hands on, even if I didn’t like the band).

            Either way, I put the record on and was immediately smitten. From the album’s opener, “Return of the Grievous Angel,” to it’s close, “In My Hour of Darkness,” it was exactly what I had been looking for. It was the perfect synthesis of Dylan’s early heartfelt folk, the Hank Williams songs I had grown up with, and the classic rock mentality of Keith Richards and Mick Jagger. I was in love. Even better, though, was the beautiful backup singer, Emmylou Harris, who I later explored in much more thorough detail. I was so in love with the album when I first heard it that I actually stole it from my grandfather’s house, hiding it in a suitcase before I returned to the home of my parents. I didn’t have a record player but I told my parents that I had bought it at a Half-Price Books and I would take it over to my grandmother’s house (they got divorced in the early 70s) to play it on her little red Fisher-Price record player, a keepsake from my father’s childhood.

            I almost completely forgot about Gram Parsons until, recently, I was watching a Ryan Adams video on YouTube and one of the comments compared him to Parsons. I immediately went back and listened to “Brass Buttons,” “Love Hurts,” and all the other songs I could remember from my early teens. Since that day (which was yesterday), I have been listening obsessively to both Grievous Angel and his debut GP, along with his work with The Flying Burrito Brothers and The Byrds on Sweetheart of the Rodeo. His voice is so honest and his writing so beautiful. I still love the man even after all these years as his music fits the “timeless” definition better than almost any other country record I’ve listened to in the past few years.

            Heartbreaking, though, is the story of his life. A young man, battling addiction and mental illness with a penchant for partying, who was, by almost every account, a sweet soul with a heart of gold. He died in September of 1973 from a morphine overdose and alcohol poisoning. It’s always the good that die young…

Suggested listening:
“Brass Buttons”
“$1000 Wedding”
“Love Hurts”
“In My Hour of Darkness”

Current Tracklisting for New Stephen's Hero Album

This is the updated tracklisting for the new Stephen's Hero CD. A few changes have been made, but this seems to be the completed tracking. I removed a few songs due to lyrical content and personal content. Anyways, here it is:

1. One Fast Move Or I'm Gone
2. Would You Say No To Brigitte Bardot?
3. Flesh of My Flesh
4. More of You
5. Original Sin
6. When It Started
7. I Need You, I Want You, I'm Yours
8. I'm On Your Side
9. Hanging Heart
10. My Bed to Swim
11. There is Hope in Giving Up

All songs written by C. Howell (Stephen's Hero)

Stephen's Hero, Simple Twist of Faith, coming this Winter

Stephen's Hero LIVE @ IBC



So, keep your fingers crossed because there is a possibility that I'll be performing under the Stephen's Hero moniker sometime this month at the Alcove at Irving Bible Church. Youth Pastor Sasha Morgan and I are attempting to curate a night of music and faith-based conversation with student speakers that will hopefully include Pierce Asibelua, Madison Smith, Brendan Richelet, Danielle Smith, and a few others, as well as Sasha and myself. The date we're looking at right now is the 22nd of October, which is only a few weeks away. The event will most likely be free and it'll just be a great night for teens and young adults to get together and add to the neverending conversation about Jesus and what he means to us.

Keep your eyes and ears open for more news, and keep praying for me as I continue to search for a way to follow my calling.

Love,
Cameron

What I'm Listening To: Johnny Cash



I’ve heard Johnny Cash referred to as “the original punk rocker.” And while I find this tag to be quite entertaining and certainly “cool,” I’m not sure quite how accurate it is. If asked to define Cash in terms of musical genres, I might call him “alt-country,” or something silly like that, but if I really gave it some thought, the only word I can think of that really captures Cash’s music in an accurate way, is “authentic.”

Lyrically, Cash’s music reaches out to something in all of us in a way that is extremely hard for any singer-songwriter (and I speak from experience). Cash speaks to our hearts, to our emotions, our desires, our sickest thoughts. When he talks about how he “shot a man in Reno,” we all know he’s telling a story, but there’s something there that we can all latch on to, whether it’s the fact that everyone’s thought about killing someone before or just the fantasy of becoming an outlaw. When Cash sings Kris Kristofferson’s “Sunday Morning Coming Down,” there’s something in his voice that gives the song its meaning—something so weary and broken that we can all relate to it.

Cash always brings this genuine style to his music, whether he’s telling a story or telling the truth, he makes it seem real. So as I sit this morning and listen to the “Live at Folsom Prison” recordings, I can’t help but feel like a cocaine-crazed thirty-something who’s just killed his wife; like a somber young man who shot a man just to watch him die; or like a boy named Sue.

Suggested Listening: "Boy Named Sue," "Sunday Morning Coming Down," "Cocaine Blues," & "I Got Stripes"

New Stephen's Hero album COMING SOON!!!


Simple Twist of Faith is the working title of the upcoming album from Stephen’s Hero. Stephen’s Hero is the brainchild of 17-year old Cameron A. Howell and for his first official full-length, he is joined by Corrie Robinson and David Eiler as they explore a number of faith-related topics including sexual impurity, original sin, addiction, death, love, and doubt through the medium of the post-modern American folk song. Right now, it looks as though the album will contain twelve original songs written by Howell, and will be released sometime this winter. With a distinct pop-folk sound, Howell and company are sure to make you think and feel from a unique Christian perspective. The working tracklist is as follows:

  1. One Fast Move Or I’m Gone
  2. Would You Say No To Brigitte Bardot?
  3. Hair Metal Love Song
  4. Flesh of My Flesh
  5. More of You
  6. Original Sin
  7. I Need You, I Want You, I’m Yours
  8. I’m On Your Side
  9. Hanging Heart
  10. My Bed to Swim
  11. There is Hope in Giving Up
  12. Hitchhiker

Be on the lookout for the album this winter!

Hipster Jesus

Song Of the Day - Oct. 4, 2011



Song: "The Wild Hunt" by The Tallest Man On Earth
from The Wild Hunt (2010 - Dead Oceans)

So, last night I was praying about my calling, my purpose. And this morning, God gave me this song at just the right moment.

"I left my heart to the wild hunt a-comin'
I live unto the call
and I plan to be forgotten when I'm gone
Yes I'll be leavin' in the fall"